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![]() Got this 4-disc set for Christmas, the eight symphonies (and a few overtures) of British composer Benjamin Frankel (1906-1973). Though a conservative composer and film scorer up until the mid-1950s, he adopted serial methods when he started composing symphonies. Like other British composers of the era like Humphrey Searle and Egon Wellesz, Frankel used twelve-tone techniques to compose conventional symphonies. I like the subtlety of Frankel's compositions. He seems a little less introverted than Searle, and has a lot of eccentric flourishes in his music.
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"I personally never liked all that new music made by them latte-sipping, lima bean-munching, intellecto-beatnik snobs." - A. Daniels |
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If you like this, CPO has got his Violin concerto recorded as well. |
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#3
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Smack dab in the middle of Frankel's grim Symphony #2 (dedicated to his late wife Anna), there's a surreal funeral march that would have done Mahler proud.
__________________
"I personally never liked all that new music made by them latte-sipping, lima bean-munching, intellecto-beatnik snobs." - A. Daniels |
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#5
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I'm still trying to process the notion that Searle was introverted.
Valen, may be! But Searle? Anyway, all those guys were pretty good composers and wrote a lot of very nice music indeed. Plus that Frankel set has such a lovely cover. (And three of the four CDs have different covers from the box's.) |
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#6
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I'm still fascinated with this set of Frankel's symphonies.
By the time he wrote his 7th in 1970, Frankel was one of the old guard. This work is resolutely old-fashioned, but describes Frankel's pessimism about the turbulent politics of that time as well as his worries about his failing health and artistic obsolescence. In the delicate second movement, there's even a very brief marching band interlude (at 6:45) that recalls similar gestures from symphonists such as Mahler and Walter Piston.
__________________
"I personally never liked all that new music made by them latte-sipping, lima bean-munching, intellecto-beatnik snobs." - A. Daniels |
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